From self-producing for years to finding 20 producers in 4 days:

Finding Producers Is Easy

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The master plan to finding producers who are ready and excited to work with you (no matter how many films you've made so far)

You should have at least 5 producers who want to work with you and are excited to hear about your next project (especially if you've made 2+ short films)

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This is exactly what that other filmmakers have done to:

Book 5 meetings with producers in 3 days (after spending 6 months struggling to find any producers interested in short films)

Get 168 producers reaching out in 48 hours (and build an incredible network in a brand new country)

Find a perfect-fit producer and get them onboard a short film in 48 hours (with no composers or actors spamming them, iykyk)

Get hired to direct a fully-funded short film (thanks to ONE tweet using this formula!)

Build a network of producers in 3 countries simultaneously (in less than 2 hours a week)

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HOW IT WORKS:

PART 1: SET THE STAGE

Before we start finding producers, we need to know what you create and prep your projects for meetings

PART 2: PRODUCERS

Let's find out exactly what kind of producers you need and the best strategies for you (as well as how to overcome any barriers you might be dealing with)

PART 3: TIME TO MAKE YOUR FILM

Now it's pretty straightforward. Learn the best way to forge deep connections, get them excited about working on your film and create a plan to get it made (without you needing to produce and fund it)

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WHAT'S INCLUDED:

MODULE 1 - Your Filmmaker Vision: The secret that separates hobbyists from career filmmakers, the one sentence you need to create to get everyone asking to read your script in one meeting/email (PLUS how to permanently overcome the imposter syndrome that's telling you you're not ready for this)

MODULE 2 - Prep Your Projects: Get your ideas ready to discuss in under a week and identify the core markers you need in order to get people interested in hearing more about them (and reading the script)

MODULE 3 - Last Looks: The 4 elements everyone else forgets before connecting with producers (and how to improve them so you get better results - without doing any more script 'tweaks')

MODULE 4 - My Evergreen Producer Method: Why most filmmakers end up self-producing, the little-known method to make sure you always have a producer to work with (and recent industry changes that make this even more important for you)

MODULE 5 - Let's Find Producers: This is where we really get into everything. Discover exactly what kind of producer you should be looking for, see the 15 different ways you can find producers, guidance for intoverts vs extraverts, how to actually find producers at in-person events and festivals (and how to tailor every method to you and any barriers you might have)

MODULE 6 - Now What Do You Say: Why most filmmakers never get beyond the first conversation, the 4 Part Framework to find out if you'll work well together and get them interested in your ideas (plus a step-by-step plan of your next steps to avoid any potential overwhelm or procrastination)

MODULE 7 - Your Address Book System: Create an address book with minimal upkeep you can rely on to help you build strong, long-lasting connections with everyone you connect with (this is where filmmakers go wrong the most, so we're going to make sure this never becomes an issue for you)

BONUS MODULE - Weekly Routine: Craft your ideal weekly routine and find out which easy habits to integrate that will help you the most (especially if you're limited on time) [£47 included free]

BONUS MODULE - Stop Your Self-Sabotage: Identify the root cause of any issues holding you back from building a network and creating the films you'd love to make (because none of the other modules will make any difference if you still believe you can’t find producers or producers won't want to work with you) [£39 included free]

BONUS MODULE - How to Reactivate Connections: Reconnect with old contacts in an easy, non-awkward way, plus the exact message to send this week (takes 5 mins) [£23 included free]

BONUS MODULE - Why producers didn’t reply to you last time: All the reasons why they haven't replied to you in the past and what to do before it's too late [£17 included free]

10 CASE STUDIES of how filmmakers like you have used these methods to find producers and make their films (no self-producing or self-funding required)

Regular price: £88

Today's price: £47

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THIS IS FOR THE FILMMAKERS WHO...

  • Dreamers who want to fully focus on their creativity and craft
  • Overworked filmmakers who are fed up with wearing all the hats the whole time
  • Writer/directors looking for a true collaborative partner (one who does the paperwork and handles spreadsheets for you without dipping straight after the shoot)
  • Filmmakers who've been trying to find a producer but struggle to reach out
  • Creatives ready for bigger budgets and bigger projects
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FAQs:

I've never worked with a producer before. Will this work for me?

Absolutely. It's easy to buy into the myth that producers don't work with early-stage filmmakers, but if that were true then nobody would ever get started
This is going to help you identify the exact type of producer that's the best fit for you right now and help you find them

I'm just looking for an executive producer who'll fund my film. Will this work for me?

Realistically, probably not. This is going to help you build a network of producers who want to support you creatively, but that's not the same as an investor-minded producer who'll just write you a cheque
I'd recommend checking out my course on Getting Your Short Film Funded

I love the idea of having a producer, but I haven't had a great experience so far. Most of them just quit when we didn't get funding. How will this be any different?

Great question. This happens to a lot of filmmakers. They usually find a producer for applications that are coming up, so they miss the vital stage of building a strong creative connection that ensures a producer won't just walk away if things don't work out
This is actually the main reason I created this course, because there's a simple way to avoid it
If you've been struggling with this, I'd recommend concentrating on modules 1, 4, 5 and 7

The industry is going through a lot of changes. How do I know this method will work for right now?

I've been teaching the same method since 2019 and it still gets exactly the same results. All of the DMs and comments on this page span from 2019 to a couple of months ago

I don't make live-action films. Will this still help me find a producer?

Absolutely. These methods will work for you no matter what kind of films you make. The only tweak you'll probably have to make is specifying what kind of filmmaker you are in the outreach method I'll teach you (eg. "I'm an animation director")

Does this work for filmmakers outside of the UK?

100%. This method has worked for filmmakers in the US, Canada, Spain, Germany, Mexico and others. One filmmaker used this to build a network in the UK, US and Colombia simultaneously!

Okay Charlotte, I'm ready. How does it work?

I'm so excited for you to get started! The course and workbook are in a Google doc together which will be emailed to you directly after purchasing. It's designed to get you to take action almost immediately (no passively absorbing info and then never doing anything with it)

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Please note, due to the digital nature of this product no refunds are offered

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PS. Is your project ready to be produced?

[HIGHLY RECOMMENDED] There are 7 areas that producers consider in projects, but most writers and directors only consider 2-3 of them before they talk with producers. The result? More 'not for me' responses than you can shake a stick at


If you're not sure how your project is going to be received by producers: use the Pitch Stacker tool to evaluate your film in the 7 areas that matter to producers, find out how to strengthen your project and start getting genuine excitement from like-minded produces who want to hear more about what you're working on

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